
William Dolan Fletcher: "February 6, 1978 marked the end of an era at 'Seven Hearths' because on that day George Laurence Nelson died. 'Seven Hearths' had seen many a tenant since its building in 1751 but none had been so devoted, none so interesting in personality, none so committed to everything that 'Seven Hearths' had meant over two centuries." "Nelson was born George Laurence Hirschberg in New Rochelle, NY, on September 26, 1887, the son of Carl and Alice Kerr-Nelson Hirschberg, and the youngest of three G. Laurence Nelson in his Studio at Seven Hearths brothers. His parents were artists of no little repute in both the American and European art scenes.
His father, Carl Hirschberg, born in Berlin, Germany, came to the United States where he started school in New York City at the age of six. Before he finished his education, he became one of the prime movers and shakers in the American Art movement, first as reorganizer of the Art Students League and then as co-founder of the Salmagundi Club in 1875. As a young man, he went to Paris to study under Alexandre Cabanel whose influence he would pass on to his youngest son - classical design, modern media, timeless mood. While in Paris he met another young artist, one from London, named Alice Kerr-Nelson, and in 1881 they were married. After the birth of their first son, Carl Nelson Hirschberg, they returned to the United States in 1884.

After his death, Nelson's popularity waned considerably. His reputation now falls far short of what it was during his prolific career. The Kent Historical Society has embarked on a mission to restore him to his rightful place in the annals of American art. To that end, we have recently donated carefully selected pieces to The Wadsworth Atheneum in Hartford, CT, The Mattatuck Museum in Waterbury, CT, The New Britain (CT) Museum of American Art and the Newington-Cropsey Foundation in Hastings-on-Hudson, NY. In July, 2008, we had a fundraising exhibit of his work at the Morrison Gallery in Kent, where visitors previously unacquainted with his art were stunned by its beauty and genius. In addition, we are trying to increase our knowledge of the whereabouts of other Nelson pieces, and will welcome communication from owners of any his treasures. As of this writing in 2012, we have made the acquaintance of many knowledgeable members of the art community who are very enthusiastic about Nelson's work. We are assembling a task force of these advisors to guide us as we move forward with our mission. Stay tuned!
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